Quotes from reviews Intensive Care, Istanbul Art Biennial:
"One project that was unthinkable after the Gezi uprising was by Erik and Ronald Rietveld, brothers who form the Dutch collective RAAAF. They initially proposed an installation in which thousands of tiny lights would flicker like fireflies on the facade of the Ataturk Cultural Center, a landmark in the center of Taksim Square. But after the building became festooned with protest banners during the Gezi Park demonstrations, Biennial organizers never got a response from the Turkish Culture Ministry about their request […]. Instead, the brothers’ installation, “Intensive Care,” features a small dark room in which lights play against a tiny scale model of the building.''
— Financial Times
''Also memorable was “Intensive Care” by RAAAF, a Dutch studio that had originally intended to install its work, a light that responds to human presence, in the Atatürk Cultural Centre in Taksim. Deprived of that chance, Rietveld simply scaled down its model and put it in a pitch-black space within Antrepo. After the cacophony of ideas outside, the quiet, poetic provocation of that flashing square stilled the mind and opened the imagination.''
— The Süddeutsche Zeitung
''Starting at the Atatürk Cultural Center, the Amsterdam artist group RAAAF wanted to cast a softly glowing band of light across the city's main traffic hub, where ground is being cleared for a grand building project, whether shopping mall, mega mosque or baroque opera house. Rarely has there been a better moment for critical contemporary art.''
"Originally, curator Fulya Erdemci felt presenting art outside to a broader public would have highlighted the city's physical and social transformation, which has been often traumatic. But the protests forced the organisers to withdraw inside just a few months before the opening. Many artists had to quickly re-contextualise their work, while others had to scrap theirs altogether and present something new. Dutch brothers Erik and Ronald Rietveld's light installation projected onto the Ataturk Cultural Centre, an iconic concert venue overlooking Gezi Park, became the intimate yet just as powerful Intensive Care. A miniature rendering of the building's façade throbs with light like a life-support machine. The piece asks the question of whether the venue will survive the wrecking ball after conflicting government statements about its fate of the building - a controversial cultural landmark that was draped in banners by outlawed political groups during the protests."
— The Guide Istanbul
''RAAAF' s piece is also directly influenced by the protests, as their proposed installation Intensive Care was due to be projected onto the Atatürk Cultural Center. Yet when this became the heart of the summer’s demonstrations, a giant billboard for so many mixed messages, it could no longer be realized. Instead a replica of the building sits at the end of a long dark room, lit up by pulsating light that the artists told us “flashes to express the feelings of the precarious situation, speeding up into increasing chaos.”